The back story behind this most comes from one of the more common questions I get these days about Lightroom.  It comes in the Develop Module and confusion about the difference between the Exposure slider, the Fill Light slider, and the Brightness slider.

It’s easy to see how there could be confusion when you start pushing sliders to their extremes, because at the higher levels, the impact does seem the same.  However, when kept within their intended parameters, these adjustment sliders all impact different areas.  Specifically:

• The Exposure Slider adjusts the brighter tonal portions of an image
• The Fill Light Slider adjusts the shadows or darker tones in an image
• The Brightness adjusts the mid-tones of the image.

To better illustrate, take a look at the images below.  First up is the default in camera settings:

See how the shadow detail is completely lost?  Having exposed for the sky, the camera was unable to capture the shadow detail sufficiently to reveal anything.  When you see this, often the natural inclination is to increase the exposure to try and bring back the detail in the shadows.  So, let’s see what happens…

See how the only area really affected is the part by the setting sun?  I’ve increased the exposure by one half stop.  Since that’s not much of an adjustment let’s take a look when we dial things up a bit more.  Here’s the next image, with the exposure increased by a full stop:

Now it’s just starting to look a little garish, and the appeal of the image is nowhere near even what the defaults were.  I could further prove the point by showing another half stop increase in exposure, but I think you probably get the gist.  So, let’s take a look at the Fill Light slider and how adjustments there affect the image.

Here I’ve increased the Fill Light to +25.  See how the area around the setting sun hasn’t been affected?  We don’t see much of a change yet, but watch what happens when we increase the slider some more.  Here’s the same image at +50.

If you look at the mountain, see how we’re starting to see some separation from the lower one in front and the one behind it?  You can see the tree line now!  This actually (I think) adds some depth to the image that wasn’t there in the original.  This is a great example of how the Fill Light slider is bringing back shadow detail in the image.

So, now that we see difference in the shadow detail, let’s take a look at what the Brightness Slider does.  As I said above, it doesn’t address the lightest tones or the darkest tones in the image, but rather tries to pull out detail from the middle tonal parts of the image.  Let’s take a quick look at that too, just to illustrate the differences here.

It’s worth noting here that by default, Lightroom puts an image at +50 on the Brightness slider, so an increase to 75 here isn’t that much of a change, but we are still seeing some subtle changes in the cloudy part of the sky.  That makes sense as this is where the mid tones are for this image.  It’s even more evident though when we adjust the brightness up another notch to +100.

That sky is starting to look just about perfect for my tastes.  I could take it a notch further but again, hopefully by now you get the gist.  What’s important here to note though, is that there is no single slider adjustment for any given photo that will make it “perfect”.  Instead, it’s almost always a combination of post processing adjustments in not only the exposure, fill light, brightness, and even others that will take your snapshots and make them great shots.  For me, the end result here, is a combination of all three of these sliders, and a dash of some other adjustments to make it what you see below:

Here, I’ve done some adjustments to various sliders.  Can you tell which ones I’ve used and to what degree?  Hopefully after today’s post, it’ll be easier to tell in the final image – and in your own images!  Take some time and play with your own images inside of Lightroom and see what it can do for you!  Have a great weekend, happy shooting, and we’ll see you back here on Monday!

To start, I took an image and pulled it into Photoshop.  Realizing that I would need to do some virtually identical steps across several images, on the first one, I started the process of creating an action.  The action in essence, creates a duplicate layer of the image, converts it to black and white, then repeats the duplication for another 9 black and white layer copies.  So, ultimately your Layer panel has 11 layers to it – 10 black and white layers and one color layer (at the bottom).

Next, I went to each layer and adjusted the opacity down by 10%.  So, the top layer was at 100% opacity, then 90%, then 80%, etc, etc, all the way down to 10%.  At this point I stopped recording the action.  Now, it was a simple matter of saving each of the 11 total images to a folder.  I started with the full layer set visible and saved to web (Control+ALT=Shift+S).  I saved to a specific folder so that each subsequent image could easily be numbered sequentially for easier management later.  In the end, I had 11 images, numbered 1-11.

For the final step, I opened my video editor (Camtasia) and imported the media.  Here it now may take some trial and error to determine image length, transition length, and if you want titles included.  Next, I picked some audio from the native library and added to the time line.  After clipping and taking the last few seconds for a fade out, the slide show was done. All I had to do now was export and share.

In Camtasia, there are many options to choose from for sharing your work online, from Screencast.net (their host) to YouTube, exporting as Flash, .mov files, .avi files, and many other options.  Here you should choose the one that works best for you and your needs.

Last but not least, it’s just a matter of either exporting the video you created and uploading either to your own host through FTP, or using the native interface to export to any one of a number of video hosting services as mentioned above.

For those interested in giving it a whirl, here’s the action I put together in 10% increments.  Feel free to experiment and try your own settings and percentages to style and taste as needed.

Black and White Layers

Got your own ideas for how to create new effects and appearances with stills in videos?  What are your thoughts on this technique?  Share your thoughts, comments, and feedback below or with me via email.

As a final reminder for the week, there’s limited time left on a couple of fronts:

1. The contest for July is about wrapped up – you still have a chance to enter to win a copy of Lightroom 3 from the folks over at Adobe, so don’t forget to sign up today!  Just submit your photo in the Flickr thread.
2. The Lightroom Workshop Series kicks off in a little over a week in Anaheim CA, with Denver following shortly thereafter.  We’ve also added some webinars for those who can’t attend an entire day, and more info coming on that.  We’d love to see you in on a workshop day though, so sign up soon as time and space are limited!  Signups are being handled over at Lightroom Dudes
3. Last but not least, the eBook is out of the gates and initial response has been overwhelming!  Thanks to everyone who has shared their thoughts and feedback on the sequel for 49 Photo Tips.   The 20% savings window is almost over too, so be sure to get your digital download before the end of the month.  After that, it’s regular price of $4.99

1.  Download the script from the link above (I downloaded to my desktop on Windows XP)

2.  Copy the script from your desktop (or whatever download location you configured for your browser) to your Photoshop folder, as indicated in the screen shot.

3.  Open Photoshop (if it was already open, you should probably close PS and restart it)

4.  Open the picture you want to apply the script to (I started with the largest size desktop I wanted to configure it for, in this case 1600 x 1200.

5.  Navigate to the Presets option in Photoshop and open the script

6.  The interface lets you select certain information such as the month it will run for, when the week starts, etc.

7.  Special mention here to include certain holidays – if you have custom days (say birthdays, anniversaries, etc) to add, create a text file for reference and point the script to that txt file location.  If you don’t want certain days highlighted,you can leave this option un-checked and proceed with the script.

8.  It may take the script some time to run (it took me about 58-61 seconds to run it on my computer, but I was multitasking with other things at the time…).  When it’d done, you’ll get a stack of a lot of layers that looks like this, with the default layer selected of “Picture Mask”.  Note:  I’d also recommend checking the option to rasterize most text layers otherwise you’ll have up to 30 additional layers of text (one for each day of the month)! The layers underneath this are where all the really cool stuff is, and the other layers are dates and effects that you can change to suit your own tastes.

9.  Once you have tailored the layers to suit your needs, simply flatten, save as a jpg and configure your desktop to use that image!  Since I typically will save to multiple desktop dimensions, I start with the original and re-size to each output, from largest to smallest saving each as a jpg then letting the script use that to create the desktop calendar.

There you have it!  The nitty gritty details on how to create a really slick looking desktop calendar for you and your clients.  Simply print as pictures through your favorite venue if you like and watch the sales come in!

One final little news note that is time sensitive – DIY Photography has a very creative approach to contests and the prize package is worthy of a nod (don’t know how he/she/they managed to come up with this big bag of goodies!), so stop over here and throw your hats in the ring:  http://bit.ly/aRQa9l

See you back here tomorrow for the latest in photo goodness!  I’ll also bring up a couple tips on how to tweak the layers to your own ends, but feel free to begin exploring your own creative approaches!

The community quickly sprung to action, pointing him in several directions, and it occurred to me that I had never done this sort of tutorial before!  It’s not too difficult but there are some pitfalls to be aware of when dealing with borders and logos in photos, especially if you are trying to program these steps into an action or script.  Suffice to say, I figured this was as good a time as any to jump back into Photoshop and keep the digits (and brain) fresh!  So, here’s a new video tutorial on creating borders and logos!  Enjoy!

Your thoughts and feedback are welcome and encouraged as always!  Thanks for stopping in, have a great week, and be sure to stop back in tomorrow for more photo goodness!  Oh yeah, and don’t forget the March contest is in full swing where the winner will go home with one of these super cool Cheetah Quickstands – the theme is wild and the link for submissions is here!  Happy shooting and we’ll see you tomorrow!

Here at the blog though, rather than take sides on such post processing methods, it’s more fun to show people how to do things, and then let you all take your own liberties either with the approach or with your processing afterward, or both to get results that appeal to you!  With that in mind, the feedback I’ve received from the previous discussions included a large number of people that asked for visuals of the process (I guess they are all visual learners).

Well, rather than take several dozens of images showing all the various settings and then explaining how I got toeach, a video seemed a more appropriate approach.  So, here’s the video short for those of you that requested visual aids.  It’s not the most professional but you should be able to get the gist.

This would also be a good time to remind everyone that we are in the dwindling days of the Adobe Lightroom contest.  You can win your own free copy of Adobe Photoshop Lightroom, courtesy of the folks at Adobe, simply by entering images you’ve taken in May over at the LDP Flickr thread.  Limit two images per person, but there’s still room for many more entries (no limit on the number of PEOPLE that can participate!)  just join the group for free and post your images.  Good luck to all and may the best photo win!  (Final results will be posted in June – I’l send my top ten picks back to Tom Hogarty for final judging when he’ll pick the winner!)

That’s it for today – I should have the podcast up tomorrow, but as always, no promises as my schedule has been fluctuating at work lately.  Happy shooting, and I will be back with more news, information, insights, tips and tricks tomorrow, whether in written or audio form.  Thanks for tuning in and we’ll see you back here again tomorrow!

Grab the Feed

As I tinker a little with the audio quality of the show and try to make things more seamless and enjoyable, you’ll notice I am pushing the show out in segments, with some music to break things up in little snips between the subject material.  If you like it, chime in via the comments section of the blog.  If you don’t like it, well…chime in via the comments section of the blog.  If you are ambivalent, well…chime in via the comments in the blog.

Hmmm…seems like someone would like to hear what the listening audience thinks of the changes in the format for the audio podcast.  And it also seems that the feedback can easily be done via:  the comments section of the blog!

If you’ve listened to the show and are still yearning for more, please stop by fellow podcasters Scott Sherman and Michael Stein’s new podcast series:  Digital Photography Life.  Formerly, these guys hosted the Digital Photography Show on another network and they’ve since moved on.  Their first show on the new network mis up and ready for your listening pleasure, so do stop over and give it a listen – great to have them back on the air!  Their podcast can be found here:  Digital Photography Life

[podcast]http://www.canonblogger.com/wp-content/uploads/audio/CBPodcast58.mp3[/podcast]

Thanks to the folks over at Blubrry, I have been successfully able to implement a new alternative to embed podcasts into the native feed that already exists for CanonBlogger.  So, in the interests of getting the content posted to iTunes and to those feeds that had not been updated from web references, I am going to spend the next few days providing some video content updates.  The expanding ease of the .mov format not only in this interface, but also for portability purposes also seems to suggest that I am going to stick to that format exclusively for the foreseeable future.

For those that had been coming to the blog for their content, you will already have seen this video, but for those who have been waiting on the feed for new multimedia, this will be new material.  Today, I am re-publishing the tutorial on reducing noise in your images. Enjoy!  For the rest of you, see if you can tell the differences between some clouds shot with and without a circular polarizer.  Share your thoughts in the comments on which one is with and which is without.

Image A:

Image B:

As you may have guessed from yesterday’s post, today is Tutorial Tuesday, and since time is ticking away from me here, I’ll get right to it. The tutorial today does a comparison of reducing noise from the built in settings inside Photoshop versus a third party plugin. Granted, I went through it pretty quick and didn’t go into a lot of detail on the various settings, but I did want to give you the upshot of applying the different types of nosie reduction, so you can see how superior a 3rd party plugin is to pretty much any native reduction method.

The plugin I am using is for Noise Ninja, but I am sure that the others mentioned in yesterdays comments (thanks go out to Michael Palmer, Jen Rinaldi, and Brian Reyman for their contributions) perform equally well. So…without further ado:

Noise Reduction Tutorial (Web based)

Noise Reduction Tutorial (Quicktime)

So, that’s it for today. Tune in tomorrow for the latest edition of What’s This? Until then, happy shooting and watch those apertures!

Oh yeah, one final thing – for those picking up the blog in their feed readers: Is this podcasting plugin that I am using working? (I am trying a switch from Podpress to Podcasting on the blog, and am curious how the feed crawlers and readers will pick this up). Don’t forget too, the poll on the right hand panel has another few days left, so be sure to chime in and share your thoughts on casual shooting trends.

1st – The How-to’s of Website design: I did take a leave of absence on this primarily because there is an area that I am not as fluent on that I was hoping to find some help in the form of a second contributing author, and that has not come to fruition yet. So, if anyone is interested in co-authoring a book on the subject, feel free to let me know!

2nd – The Online Photography Test: The Basic test is complete, and the Advanced test is about 90% complete. I’d like to get some ideas and more feedback before taking that phase to completion, so again, if anyone has some suggestions on good questions for an advanced online photography test, I am all virtual ears! As for the Expert Test – I am nowhere near getting ready to even put that one out there. I am of the old school variety in that I don’t think it’s right for someone to pose a question for others to answer if they cannot provide some basis of an answer themselves. (The idea is that how can one teach or offer knowledge if one does not have that knowledge themselves.) Although higher education and high schools are rife with examples of this – I, in good conscience, cannot pretend to be an expert when I have so much more to learn on the subject of photography.

3rd – The Weekly “What’s This?” series saw an abrupt halt a few weeks ago, and I never came forth with the answer. The last shot was this:

What’s This?

And the answer is: the grill from the front of our microwave. Unfortunately, we are no longer in the house, so I can’t capture a full version of the appliance to show you a zoomed out perspective. But anyway, thanks for those that waited patiently to discover the answer. I should have a new “What’s This?” back up and running tomorrow.

Finally, as I endeavor to get back into a steady routine of tutorials and regular writings, I have a video tutorial put together for this week. Since I did get a few questions from people who asked if I could show the method for achieving a panorama rather than just writing the methodology out, here is the “outtro” for how to post process a series into panoramas. Since the podpress plugin is still misbehaving, I’ tried an alternative means for feeding things for the time being, but that doesn’t seem to work either.  So, I am going to have to go another week with a link to both the Flash and the Quicktime!  Sorry again for the continued inconvenience.

I’m not adjusting the iTunes feed just yet as I have confidence that the podpress developer will have an update coming sooner rather than later, but if people wish to add the secondary feed to their readers, that will be in play until the original feed comes back online. I am posting it to the podpress feed link too though as a test to see if it comes back online, so if you subscribe to the original feed and it shows up, let me know. Otherwise, continue to visit the blog (which is preferable anyway) to catch the flash version. Hope you all enjoy it!

I’ll be back tomorrow with a Wednesday Walk around the Web, and a new installment of “What’s This?”! Until then, happy shooting, and watch those apertures!

Anyway, take a gander on the download feed listed at the end of the post. The result of the tip is actually at the top of the post so you kind of get a little teaser there! (Yes, I am a tease!) Not much else today, as I am still swimming in a sea of boxes. I’m hopefully a little ahead of the game now for video tips and tricks, as next weeks is set to auto publish Tuesday morning.

I do have my “Shoot the Day” pics for Photoshelter, and will hopefully have those processed (at least a quick process in DPP) and ready to share tomorrow, so stop on back to check those out. In the final news tidbit – don’t forget the Photo Contest here at CB. Stop over and share some pics along the lines of a “Freedom” theme, and you could win a $25 gift card to B&H! 2nd place and 3rd place prizes will be awarded too!

So, until next time, happy shooting and we’ll see you back here tomorrow!

Wed Edit: The linked video is not displaying for some reason so for the time being, it can be downloaded directly here

CB Episode #48: Clouds Filter

For this weeks tutorial, I thought to take a look at custom brushes and brush sets. It can be a pretty handy thing to have some custom brushes of things you do often, or looks and styles that you apply often to your photos (such as a signature, copyright, or some other such logo). The idea came from someone in one of the photo forums (NAPP forums if I recall correctly), asking if there was a brush set out there that had a set of hash marks (like for the days of the week). We talked back and forth on a few alternatives when it dawned on me – we could make a brush to do that! You really can make brushes to do whatever you want, it’s just a matter of doing it once and then saving it, much like an action.

So, here’s a tutorial that examines how to create, save, and load custom brushes inside of Photoshop. We’ll see you back here tomorrow! Until then, Happy Shooting and watch those apertures!

Creating Custom Brushes

The tutorial came about actually from reading a question on the NAPP forums – a fellow NAPP member was asking about whether PS has a similar Rule of Thirds Grid like the one in Lightroom. Since I’ve used both, I did know the feature he was talking about, and also knew that an identical feature is not available in PS – but a close workaround is. So – another tutorial is born! Before I get started with the PS tutorial though – it may help to show what the movable grid looks like in Lightroom:

What happens in LR is that when you grab the image, the grid moves around with your mouse like a flash-based square and allows you to preview your compositional crop before you crop. PS doesn’t have the benefits of the flash based features like this (for the most part), so it won’t work exactly the same way (you have to actually perform the crop before the ROT grid will show the new composition. That’s a program limitation though and cannot be compensated for (at least not to my knowledge.)

Anyway, one final thing before the tutorial…a couple of things have come up that require my immediate attention including some plumbing for the house, a dentist visit, and a few client print orders. With that in mind, the Thursday Thoughts subject may have to be postponed for a no-blog day. I will know better after the dentist visit tomorrow. Regardless, enough of the anticipatory text – here’s the weekly tutorial (Flash link first, QT version second, as always…enjoy and happy shooting all!)

Rule of Thirds Grid in Photoshop

First a little background – the reason why we are losing part of the picture is because we are changing the aspect ratio.  What is aspect ratio?  Simply enough, it’s the relative size of the long side of the picture to the short side.  Aspect ratios are often referred to by their lowest common factor.  So, a 4×6 print uses a 3:2 aspect ratio.  (Aspect ratios usually are stated with the larger of the numbers coming first…)  An 8×10 has an aspect ratio of 5:4.  Want to print a 16×20?  Guess what – it’s got an aspect ratio of 5:4 too!  Here are some of the most common aspect ratios that you see in photography:

4:3 – Point and Shoot Cameras
3:2 – 35mm Film cameras and most APS-C sensor cameras (SLR’s)
1.81:1 – APS-H Mode (High Def)
3:1 – APS-P (Panoramic)

So, with an SLR camera, since your sensor approximates an aspect ratio of 3:2, getting an 8×10 print means you need to keep your subject matter in from the edges because when you crop to the new ratio, at least one of those edges (and a little of the other) will be lost from the crop.  So, having now explained  “why”, let’s now look at the “how” (as in how to fix it!) in the delayed tutorial for the week:

Web Version (Flash):  Re-framing your pictures

Forum administrators and bloggers are starting to realize that neutrals are the best way to go, but there are still some web outlets that hang on to some rather outlandish color schemes. To accommodate the creative (and sometimes sensitive) differences that exist, it can often help to present your images with some digital framing. That is the focus of this weeks’ tutorial, and I share a rather simple but effective technique to create a digital frame to enhance or accentuate and draw attention to your imagery.

As I mention at the end of the post, there are some automated ways to create digital frames via plugins and actions. The one I reference can be found at www.atncentral.com People labor often in anonymity and share their work with the world and give it freely for others to use. Enjoy the benefits of generous folks and for those occasional ones that ask for donations, kick in a buck or two – it always helps to keep the creative spirit alive. In the meantime, keep on shooting (happily), and watch those apertures (carefully)!

Flash Version: Digital Framing

[podcast format="video"]http://www.canonblogger.com/wp-content/uploads/qt/cb040framing/framing.mov[/podcast]

This whole project started from wanting to make a single-page calendar and in looking at the design offerings on Mpix, thought “Hey! I could make that!” The second half of the genesis came courtesy of Matt Kloskowski over fro the Photoshop Guys where he did a tutorial a while back on making a desktop calendar for a single month. So…I put the two ideas together and this is the end result of that effort. I figured it may also have some interest for other photographers in making calendars incorporating either their own prints or those of their clients. Clearly, this is a “down and dirty” version, but if anyone is interested, I do have a pretty high resolution sized template that I would be willing to share on request.

In other news, I’d like to give some shout outs to Brian over at Professional Snapshots, who just last Friday celebrated the birth of his new daughter Isabelle! Congrats to Brian, even though this means he has pretty much lost the ability to sleep through a night for at least the next 18-24 months! Yeah, this may be your fourth, but I’ve heard the stories from siblings and neighbors! Enjoy!

Also, don’t forget to stop over at Jason D. Moore’s weekly summary of all things photography! I always head there to make sure I’m not missing anything interesting.

Last, but not least, the tutorial links: Flash first and QT second…

Calendar Templates, Part II

[podcast format="video"]http://www.canonblogger.com/wp-content/uploads/qt/cb039caltemplate/cal.mov[/podcast]

Additionally, I’ve got a few rather unique shots (I think anyway) from my outing to Magnolia Gardens this weekend. There was a heavy thunderstorm the previous day, so lots of opportunities for some macro and water works. Here’s two I thought that the viewing audience might enjoy:

That’s about it for today…a few photos and a tutorial for your viewing pleasure. A multimedia blowout this week thus far, with an article yesterday, photos and videos today, and who knows what tomorrow has in store…more articles, and maybe….an audio podcast *gasp!* (Likely not with the latter though – so no promises!) Until then, happy shooting and watch those apertures!

CB Episode 038: Calendar Template

[podcast format="video"]http://www.canonblogger.com/wp-content/uploads/qt/cb038caltemplate/cal_template.mov[/podcast]