Favorite Black and White Conversion Methods

As you can tell from the header adjustments, a new eBook is coming out in a few weeks, and I would like to devote a bit of it to some user generated thoughts, so now’s your chance – tell me, what are your favorite methods for black and white conversion methods on your images?

Personally, I have a few presets in Lightroom and a few templates in Photoshop that I use regularly to make some default black and white conversion adjustments, then I do a bit of manual massaging and tweaking depending on the photo itself.  In the upcoming eBook, I am going to cover these black and white conversion methods in detail, and even share a few of my own favorite presets as well.  All that said, I would very much like to hear your thoughts and methods that you use.

Here’s a few options to kick start the thoughts in the comments section:

  1. In Camera (changing your camera settings)
  2. In Photoshop via Channel Mixer
  3. In Photoshop (or Lightroom) via Hue/Saturation adjustments
  4. In Photoshop (or Lightroom) via canned templates or pre-sets.
  5. A combination of canned settings and manual adjustments.

You’ll get much more detail in the upcoming eBook, so if you are interested in learning any of the above techniques, don’t forget to pre-register for it at half off the regular price.  This one is gonna be a doozy of an eBook, and there’s only two weeks left!  If you want to get the announcement when the eBook comes out, subscribe from the link below


Or…if you want to get it at half off the regular retail price, sign up for the pre-release price and you’ll get the eBook the day before launch!

Eight Ways to Awesome Photos

Blurry Shot

One of the worst moments in photography is when you get things back on the computer from a shoot to see that dreaded blur instead of an awesome photo (or awesome photos)!  If only you had been able to stabilize the camera more.  I can’t tell you how many times I’ve been confidant enough in my own abilities to think “I can hand hold that shot”.

Blurry Shot

The truth of the matter is, most of us can’t!  So, avoid the blur whenever possible When trying to capture images where light is low, a sense of movement is desired, or any other scenario where shutter speeds drop perilously low, getting that camera stable is critical!  Here are eight ways to make that happen:

1.  Use a Tripod – Shots taken with tripods are inherently more stable than their handheld counterparts.  Nothing stabilizes things like an inanimate object!

2.  Use a Monopod – With the tripod police out in force more and more, they are being allowed less and less in a number of areas.  If a tripod isn’t permitted, a monopod may be an alternative worth considering.

3.  Use Your Surroundings – Okay, so the tripod wasn’t allowed, the monopod you forgot, but there’s still a chance to catch that shot.  The answer lies in using your surroundings.  Brace the camera against a tree, a fencepost, a car, or whatever is available.  They key is to make your camera stationary.

4.  Bump the ISO – As much as I try to avoid increasing ISO, the newer cameras available do a great job of smoothing, and even then, software post production options are also pretty advanced at cleanup afterward.  So, if you have to, go ahead and bump the ISO settings to shoot fast and still retain exposure accuracy.


5. Hold that Camera – I know some shooters who claim to be able to hand hold as slow as 1/30th of a second, and one of their “secrets” is a secure grip on the camera.  Make sure you’re holding your camera right and not flapping your arms out beside you, all fingers around the edges (like a camera phone), and you can get better shots.

6.  Shoot between Breaths – Yup, you can shoot between breaths.  It’s key to remember not to hold your breath, but rather inhale slowly, exhale slowly, and that momentary gap between breaths is a moment when your body rhythms are not moving at all, heartbeat included!

7.  Slide that Finger – No, not that one!  Your shutter finger is what I am talking about.  So many people tend to jab the shutter, but that pushes the camera and can introduce movement.  Make it a slow slide with increasing pressure, almost as if the shutter release is an afterthought.

8.  Watch Your Feet – Standing with your feet together like a ballerina is never a good idea when shooting.  Your center of gravity rises, and you are unstable.  When you are unstable, so is your camera.  The same holds in the opposite extreme, so keep your feet about shoulder width apart when shooting.

Pacific Sunset

If you like these tips, keep in mind, there’s 90 more tips just like these in my eBook Combo Kit where you get both 49 Photo Tips, Volumes I and II:

There are, of course, other tools and methods to help make your photos better, but these 8 ways to add stability are just a primer to get you on the right track to making the most of your time behind the lens!  Know of any other ways to help stabilize a shot?  Anything I missed or that particularly speaks to you and your own techniques?  Sound off in the comments or via email!

Triptych Photography 101

SC Boneyard

In photography, there are lots of crazy semantics to understand!  Everything from ISO’s and apertures, to shutters, diopters and f-stops, ASA’s and guide numbers are all part of the craft.  Heck, there’s even one called the “circle of confusion” – and you can quickly get lost in the sea of words and acronyms in photography. One that I can’t believe I’ve not talked about here before is a triptych!  It’s pretty simple actually when you break it down really though, so fear not.  Here’s your beginner’s guide to triptych photography!

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