Adobe’s DNG Converter

For many of us, an upgrade of one element in our tool kit comes with many unforeseen consequences and additional expenditures.  Just as a new camera body can necesitate the need for larger memory cards, hardware upgrades can also come with software upgrades.  The reason?  Camera file formats!  As camera vendors develop new proprietary formats for their raw file formats (CR2 for Canon and NEF for Nikon as the two predominant players in the game), the need has always existed to update your software to accommodate the new formats for body upgrades.

The best example of this was when I did my upgrade of the Canon XT to the Canon 40D just last year (or was it two years ago now?)…at the time I was using Adobe Photoshop CS2 to process my files.  Well CS2 development stopped as CS3 development started.  My Canon 40D was stuck in between application life cycles, and as a result, I was no longer able to process my CR2 files from the 40D natively in CS2.  Granted, I did upgrade to CS3 because of my interest in the field, but for those that either may not be interested in the software upgrade, or cannot afford to upgrade, there is a free alternative from Adobe – the Adobe DNG converter.

This is a really cool utility and it gets updated on the same schedule as the Adobe Camera Raw utility that is unique to the image-editing applications of all Photoshop applications (CS4, LR, etc.).  The Adobe DNG stands for a Digital NeGative so it may help to think of this as a way of preserving your original data, yet still making it accessible, regardless of what other developments happen in the software world down the road.  I know, we all think that Adobe will be around forever, but the same was also thought of Kodak 20 years ago – and now those Kodak CD’s are becoming difficult to manage.  With that little nugget, it may be useful to consider the Adobe DNG option.  Additionally, the Adobe DNG negative has been submitted to the ISO standards setting organization for acceptance as a universal conversion utility, and are releasing it under the GNU licensing, so it will hopefully always be available for anyone.

With the stage set then,  for those who are not able to or not interested in upgrading, here is a brief tutorial of the Adobe DNG converter (in it’s current iteration as of 4/27/09), with screenshots.  If your folders of images look like this:

Adobe DNG Converter

Then the Adobe DNG Conversion Utility may be for you.  It starts pretty easily…you can download the Windows or Mac versions of it from here:

Windows DNG Converter

Mac DNG Converter

Once you download and install this utility (did I mention it’s free?), start the application to get this screen:

Adobe DNG COnverter

First off, specify the path where the images are that you want to encapsulate into the DNG format.  You can specify one folder, or you can specifiy a folder and all its sub-folders (in case you want to convert an entire library or set of images at once).  Then specify the output folder and naming convention you want to use.  Once that’s been decided, it’s time to select your preferences for how you convert your images.


Click on the “Preferences button” to specify how you want to conversion to occur:  Do you want full size conversions or do you want to reduce the image resolution sizes for smaller storage requirements?  (I always choose full size for maximum flexibility.)  What about compression?  Adding compression can further reduce the footprint that each DNG file has on your hard drive.  (It’s a judgement call, but I choose not to compress, again to maximize flexibility down the road.)  What about conversion methods?  You can convert to a linear format, but I don’t like this option because it’s a one-way street (you can’t go back).  Last but not least, what about inclusion of the original raw file?  In most cases I would actually recommend that.  It may increase file size, but this way you have access to the original raw date if your software needs ever change and you have access to software that can better handle the raw data you currently may not be able to manage.  All these are things to consider.  Hopefully, this short explanation of your options and the pros/cons will help in deciding how to proceed.

From here it’s pretty straightforward – you’ve specified everything from your input folder to your output folder, naming conventions, and conversion preferences, so now, simply click the button on the lower right to start the conversion process.  You will get a dialog window showing you the progress:


If you like, you can always click the button in the lower left to stop or abort the conversion process in case you specify the wrong folder or for some other reason.  Once the process is complete, the window will show all converted images.  Simply click “OK” to close the DNG converter utility from that window, as shown below:


Finally, open the destination folder, and voila!  Your image files will now have thumbnail previews again:


There you have it, your files are now prepped for one of the easiest, simplest, and most cost effective ways (did I mention this is free?) for both management, archiving, and accessibility – 3 very important things to consider in your image management workflow.

Granted, as with anything else, the Adobe DNG converter utility is not for everyone, as we all have work flows that call for different approaches.  So, what approaches do you use?  Feel free to share your own thoughts, processes, and suc in the comments or via email.  Happy shooting and we’ll see you back here tomorrow!

Camera Profiles

So, today I had the day off work, and was catching up on a few things.  I read through most of my piled up photo magazines, caught up on some NAPP tutorials, and some overdue email replies to various asundry things.  One of the tutorials I watched was from Matt Kloskowski on installing camera profiles for ACR in both LR and CS3/CS4.  It’s pretty cool stuff.

Basically, Adobe has worked with various camera vendors to get the ACR to approximate the same colors that are shown in the vendor proprietary software (Digital Photo Professional for Canon and Capture NX for Nikon, and a whole host of others.)  Matt did a great job of showing how close it gets while even still in beta.  I was convinced enough to go ahead and download the plugin to use in CS3.  Fair warning though, you do need at least ACR version 4.5 or higher to use these profiles (I have 4.6 installed).  Since my bodies are Canon-specific my interface may look a little different, but thought I’d share the screenshot of what it looks like for me:

My thoughts are that the Camera Landscape beta is the closest to what DPP shows.  Since it’s all happening in camera raw, as Matt stated, it just gives you a better starting point with less editing to get to your final results.  I really can’t wait to see how this develops and moves out of beta.  Just hope that Adobe sees fit to release the final shipping version for CS3 owners as well as CS4.  What about others – has anyone else installed this?  How do your pictures look?  Are they close to your vendor software?  Feel free to jump in with the comments!

In other news for Friday, this is the last day to participate in the economy-photography poll from the sidebar.  You RSS readers – stop in and vote, we’re trying to break 30, and only have until midnight!  Other than that, it’s been a great day – I even got some cool shots of the dog after our walk with the sunlight glistening in her eyes.

I’ll leave with my favorite What the Duck of the Week.  Happy shooting and we’ll see you back here again on Monday – have a great weekend!

Be careful with Adobe updates!

I was just in the NAPP forums (a great place to learn by the way), and learned about the ACR update.  Since I already am good on the gear compatibility side, I went to the readme.txt file to see if there were any other updates to the programs that I should be aware of (Podpress has made me very cautious about updating too soon…)

Turns out there are some LR issues with a few tools and with XMP sidecar files versus database entries.  If this is all gibberish to you, then don’t worry you are probably fine.  For the more technically inclined though, their readme file is something to look at before you upgrade ACR this go-around.

Linked here

Proof positive that the old adage of “If it ain’t broke don’t fix it” can still apply in a modern world.  If you don’t have a specific need for the update (a very recent camera purchase), I’d hold off until the next update ships as this could break Lightroom to a degree, as well as prevent respecting of previous edits if you use the database option for XMP data.

In more CB-specific news, the last poll finally wrapped up today.  With 30 responses, here was the final tally:

The newest poll is now up on the sidebar.  2 weeks does seem to return more meaningful information as that gives people enough time to respond.  Feel free to chime in at your leisure.  The question is:  Does the current economic downturn had an impact on new photography-related purchases?  For those reading in feed readers, stop in to see the options and vote!  Let’s try to crack the 50-count this go around! 🙂

On a lighter note, the WTD series this week was really pretty darn funny.  Here’s my favorite:

Have a great weekend everyone, Happy Shooting, and we’ll see you back here Monday morning!