The tutorial for this week is the second in what will hopefully be a three-part series showing the various ways that you can approach selective coloring in Photoshop. Last week, I went over the technique of using the lasso and selection tools to select your color component and then putting that on its own layer. This week, I look at the history brush. You can quickly see the differences between each and how each has its advantages and disadvantages.

I gave a shout-out to Scott Sherman and Michael Stein’s Digital Photography Show on the video, but you really do need to listen in. Rudy Winston from Canon is on this week and according to the show notes, gives some really good insights and dialog on the Canon line. Kudos to Scott and Michael for incorporating the info into their podcast – I can’t wait to listen to it tomorrow during the commute. Additionally, I spoke with Scott on the phone today too, so that was a neat experience to actually talk to one of the established regulars of the photography community – if you’re reading, thanks for taking the time to chat with me Scott!

For those that prefer the flash version, here it is: Selective Color, Part 2

For the others, the Quicktime version is linked as a media file, and is also available in iTunes. Here’s a sample image of the final product as a teaser:

Selective Color applied to a Blue Bowl

Don’t forget, you can now sign up for email notifications of new posts to the blog. No worries about spam or hokey solicitations from me, I don’t even see that stuff. It’s all automated, and this way you can save space on your toolbar and widget space. One more thing that is done for you, so sign up for it today! As a final note, thanks to all the listeners who have been downloading and watching the videos. I’ve received several kind emails with ideas for future tips, so plenty of creativity is on its way for 2008.

Well, that’s about all for today. Tune in tomorrow for my trip around the web, compiling all the news and reports trickling out of PMA. Happy shooting, and as always, watch those apertures!

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