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> <channel><title>Comments on: Hot and Cold Lighting</title> <atom:link href="http://www.canonblogger.com/2008/06/19/hot-and-cold-lighting/feed/" rel="self" type="application/rss+xml" /><link>http://www.canonblogger.com/2008/06/19/hot-and-cold-lighting/</link> <description>Home of the Learning Digital Photography Podcast with Jason Anderson</description> <lastBuildDate>Fri, 10 Feb 2012 18:10:37 +0000</lastBuildDate> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=3.2.1</generator> <xhtml:meta xmlns:xhtml="http://www.w3.org/1999/xhtml" name="robots" content="noindex" /> <item><title>By: ROB</title><link>http://www.canonblogger.com/2008/06/19/hot-and-cold-lighting/comment-page-1/#comment-938</link> <dc:creator>ROB</dc:creator> <pubDate>Wed, 06 Aug 2008 12:49:37 +0000</pubDate> <guid
isPermaLink="false">http://www.canonblogger.com/?p=332#comment-938</guid> <description>Wow, never seen that site before. Thanks for the link!</description> <content:encoded><![CDATA[<p>Wow, never seen that site before. Thanks for the link!</p> ]]></content:encoded> </item> <item><title>By: Jason D. Moore Photography &#187; Blog Archive &#187; P&#38;P Weekly: #82</title><link>http://www.canonblogger.com/2008/06/19/hot-and-cold-lighting/comment-page-1/#comment-832</link> <dc:creator>Jason D. Moore Photography &#187; Blog Archive &#187; P&#38;P Weekly: #82</dc:creator> <pubDate>Tue, 24 Jun 2008 11:09:10 +0000</pubDate> <guid
isPermaLink="false">http://www.canonblogger.com/?p=332#comment-832</guid> <description>[...] Jason of Canon Blogger - &#8220;Hot and Cold Lighting&#8220;  [...]</description> <content:encoded><![CDATA[<p>[...] Jason of Canon Blogger - &#8220;Hot and Cold Lighting&#8220;  [...]</p> ]]></content:encoded> </item> <item><title>By: Jason</title><link>http://www.canonblogger.com/2008/06/19/hot-and-cold-lighting/comment-page-1/#comment-815</link> <dc:creator>Jason</dc:creator> <pubDate>Fri, 20 Jun 2008 03:31:09 +0000</pubDate> <guid
isPermaLink="false">http://www.canonblogger.com/?p=332#comment-815</guid> <description>Heh - just wait for me - I&#039;ll be there in about 6-8 weeks!</description> <content:encoded><![CDATA[<p>Heh &#8211; just wait for me &#8211; I&#8217;ll be there in about 6-8 weeks!</p> ]]></content:encoded> </item> <item><title>By: Brian</title><link>http://www.canonblogger.com/2008/06/19/hot-and-cold-lighting/comment-page-1/#comment-814</link> <dc:creator>Brian</dc:creator> <pubDate>Fri, 20 Jun 2008 02:56:29 +0000</pubDate> <guid
isPermaLink="false">http://www.canonblogger.com/?p=332#comment-814</guid> <description>Also, didn&#039;t see before I posted. Looks like Tim S. is from Colorado too! I&#039;m from Highlands Ranch - my brother, another photographer, also lives in Fort Collins (a great city!).I&#039;d be up for a photo walk this summer!</description> <content:encoded><![CDATA[<p>Also, didn&#8217;t see before I posted. Looks like Tim S. is from Colorado too! I&#8217;m from Highlands Ranch &#8211; my brother, another photographer, also lives in Fort Collins (a great city!).</p><p>I&#8217;d be up for a photo walk this summer!</p> ]]></content:encoded> </item> <item><title>By: Brian</title><link>http://www.canonblogger.com/2008/06/19/hot-and-cold-lighting/comment-page-1/#comment-813</link> <dc:creator>Brian</dc:creator> <pubDate>Fri, 20 Jun 2008 02:43:50 +0000</pubDate> <guid
isPermaLink="false">http://www.canonblogger.com/?p=332#comment-813</guid> <description>Joe McNally has also done this quite a bit before. When taking an outdoor shot, you can set your camera&#039;s white balance to tungsten (which gives the background a blue look). Then, throw a few CTO (orange) gels on the flash and point it at your subject for a nice warm feeling. It is definitely a nice combo.</description> <content:encoded><![CDATA[<p>Joe McNally has also done this quite a bit before. When taking an outdoor shot, you can set your camera&#8217;s white balance to tungsten (which gives the background a blue look). Then, throw a few CTO (orange) gels on the flash and point it at your subject for a nice warm feeling. It is definitely a nice combo.</p> ]]></content:encoded> </item> <item><title>By: Jason</title><link>http://www.canonblogger.com/2008/06/19/hot-and-cold-lighting/comment-page-1/#comment-812</link> <dc:creator>Jason</dc:creator> <pubDate>Fri, 20 Jun 2008 01:51:41 +0000</pubDate> <guid
isPermaLink="false">http://www.canonblogger.com/?p=332#comment-812</guid> <description>Strobist is definitely the site for lighting in photography.  I still am only scratching the surface compared to what these guys do.  Good idea on the gels there Tim, thanks for sharing that.  (Your photowalking Colorado site is quite cool too - I like the shots from the car show!)</description> <content:encoded><![CDATA[<p>Strobist is definitely the site for lighting in photography.  I still am only scratching the surface compared to what these guys do.  Good idea on the gels there Tim, thanks for sharing that.  (Your photowalking Colorado site is quite cool too &#8211; I like the shots from the car show!)</p> ]]></content:encoded> </item> <item><title>By: Tim Solley</title><link>http://www.canonblogger.com/2008/06/19/hot-and-cold-lighting/comment-page-1/#comment-810</link> <dc:creator>Tim Solley</dc:creator> <pubDate>Thu, 19 Jun 2008 22:35:48 +0000</pubDate> <guid
isPermaLink="false">http://www.canonblogger.com/?p=332#comment-810</guid> <description>The Strobist is definitely a fan of the warm/cool combo.  To really make that background pop blue, you could use a blue gel on the background, and an orange gel on the subject light.A tip for those space challenged: if you have your main subject light spilling on the background, move it closer to the subject, even if that means it&#039;s moving closer to the background.  It doesn&#039;t make any sense for those unfamiliar with the laws of light, but it works.</description> <content:encoded><![CDATA[<p>The Strobist is definitely a fan of the warm/cool combo.  To really make that background pop blue, you could use a blue gel on the background, and an orange gel on the subject light.</p><p>A tip for those space challenged: if you have your main subject light spilling on the background, move it closer to the subject, even if that means it&#8217;s moving closer to the background.  It doesn&#8217;t make any sense for those unfamiliar with the laws of light, but it works.</p> ]]></content:encoded> </item> <item><title>By: sam</title><link>http://www.canonblogger.com/2008/06/19/hot-and-cold-lighting/comment-page-1/#comment-808</link> <dc:creator>sam</dc:creator> <pubDate>Thu, 19 Jun 2008 22:11:43 +0000</pubDate> <guid
isPermaLink="false">http://www.canonblogger.com/?p=332#comment-808</guid> <description>It&#039;s really interesting to see how you can pick a picture up with these sorts of combos. Read your David Hobby! Strobist has some great tips regarding this sort of stuff.</description> <content:encoded><![CDATA[<p>It&#8217;s really interesting to see how you can pick a picture up with these sorts of combos. Read your David Hobby! Strobist has some great tips regarding this sort of stuff.</p> ]]></content:encoded> </item> </channel> </rss>
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