Had been doing some reading lately and was noticing the Canon vs. Mac debate taking and interesting turn. It seems the Nikon bodies have always sported a higher LCD resolution on their bodies, which allows for sharper picture previews than their Canon counterparts, on similar screen sizes. I’ve not really looked at the numbers side by side, but this raises an interesting question.
On the one hand, any increase in resolution that helps you with review, possibly to even re-shoot without having to go back out and re-creating the scene later would seem like a good thing.
On the other hand, there does seem to be a long standing tradition regarding using LCD’s to review or “chimp”. I’ve heard some people say that the LCD screen is really intended for menu selections and settings, and quick checks for nothing more detailed than basic composition, white balance, and histogram checks.
I can see the merits of each argument, and am grappling with the subject myself…so, I’ll pose the question here: Is screen resolution important to you? It’s pretty obvious that screen SIZE can make a difference, but if resolution is important too, then that kind of begs the question of what purpose the LCD screen serves in your processing.? Would you consider it just another tool in the arsenal for photographers, or would you frown on people that zoom in on the LCD screen to see how sharp things are? I can see how it could be an effective tool, but at the same time, how great would any decision be that is based off what you see on a 3″ screen versus a 19″ or better monitor?
What are others thoughts here?
The last week has been an interesting one… I got a call at work saying that my wife was at the doctor’s office and they were transferring her to the hospital as a precautionary measure for some elevated blood pressure levels. Needless to say, the next few days I was not thinking much about getting a new podcast tutorial out. After getting every test known to mankind done, the good news is that she is fine and will be sticking around for a while. The bad news is that she needs to go on some blood pressure medication and she has now joined the ranks of Vytorin membership (although her dosage is lower than mine).
That was Wednesday and Thursday.
Friday was pretty much a “recovery day” and I attended to the typical daily minutia that was not taken care of on Wednesday and Thursday.
Saturday, I had a photo assignment for a real estate agency, so I headed out to Daniel Island and shot the property from every angle you could think of. On the way back, I stopped off to get some pumpkins for carving today at one of the local farmer’s market vendors. The pumpkins and flowers made for such vibrant colors I couldn’t help but take some pictures there too.
So, now it’s Sunday and I’ve settled down in to do the post processing from my shoot yesterday, look at my fantasy football setup for the day, and record a tutorial for the blog!
It’s a quickie today, but something that has a lot of uses, and is so easy once you know how to do it, you’ll find yourself playing with Photoshop more and more as a result. The subject is creating backgrounds, and it’s pretty cool. Check it out: Creating Backgrounds in Photoshop
In the meantime, here’s one of the better shots that came from the pumpkin outing:
While I don’t have a regular schedule for releasing content, tutorials or otherwise, the alliterative bonus of having a tutorial on Tuesdays tastes terrific to tongues. And…since i posted it before midnight, it technically was released on Tuesday, even though it’s 11:20pm! Well, what was neat about this was that on my weekly visit to Photoshop User TV, Matt Kloskowski showed how he created an action for curves adjustments in LAB, and this same technique is what I used for the sharpening aspect of my work flow. While I also have the LAB action assembled, I had split that up into three different ones (one at 3 hashes, one at 2 hashes, and another at 1 hash). Check out the video on their weekly blog post here: Photoshop User TV. I gotta admit though, it was kind of cool though to see a technique I use also be showcased in the tip from the likes of Matt Kloskowski. So, in keeping with the use of layers adjustments as a means of applying different effects repeatedly for evaluating images, my tutorial follows the same theory, but applies it to sharpening rather than curves.
It’s kind of long (12 minutes) because I went through every step, AND I left a mistake in intentionally to show how you can edit an action while you are recording it! Take a peak at it here: Creating a Sharpening Action in Photoshop
As for consolidating the curves adjustments from 3 to 1 using this technique, I actually will pass on that because for me, I am usually pretty close in my “guesstimation” of what will work, and I just want the action to do that for me, not multiiple layers of different curves adjustments. Sharpening is tougher though, so I think it’s more valuable as a method in that regard. We’re all different though, and that’s what makes the world go around, so if you like it, go for it! Enjoy and have a great Wednesday. Oh, and I would be remiss if I didn’t give Matt the courtesy of a link to his site on Lightroom Killer Tips. Check them out too…I am always learning from this guy…
Creating a Sharpening Action in Photoshop Download